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The evil computer genius who gains control of Norad squeals "Don't touch my toys." When the President and Cale commandeer the Presidential limo (quite a car chase upgrade!), and after Sawyer remembers the backseat will not be appropriate for riding shotgun, he starts shooting. In "White House Down," the wisecracks are spread out, Tatum being too much of a sweetheart type to deliver all of them. In other near-clone comparisons, you can't help but think the " Die Hard" franchise, with its alienated kids (as in the latest "Die Hard," Emily even calls her father John for a while before breaking through to " Dad.") The "Die Hard" franchise has so run its course that the only real pleasure left is finding out how much punishment McClane can take. Cale doesn't get as brutalized by battle as John McClane, though he takes many knocks.
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Kennedy "Olympus Has Fallen" bodyguard ( Gerard Butler), who did rescue the president, but not the first lady Channing Tatum specifically, for every "Sexiest Man Alive" reason, plus his dance-trained agility and his desire to impress and bond with his estranged daughter. Regret is a great motivator. I'd like to have one of these guilt-driven security guys protecting me: Clint Eastwood in "In The Line of Fire" (1993) who failed to save the life of John F. Wrong place, right time for Cale, as he becomes the de facto presidential protector after all, though in the extreme straddle position of having to cover the President and rescue Emily when she is taken hostage. Suddenly a paramilitary force commandeers the place and threatens to start World War III. Skipping over the bad news, he instead offers a White House tour. So it's a sad moment when he has to pick up his waiting daughter Emily ( Joey King). He can't make the grade of security guard for the President because he was a bit of a slacker, as his Secret Service interviewer ( Maggie Gyllenhaal) reminds him. In "White House Down," Channing Tatum plays John Cale, a Capitol Hill police officer, Afghanistan vet and divorcé. The title also hits us subliminally: Is the White House really Our House? And how much does it hurt us when it's attacked? Narcos : Mexico will conclude with a third season, released on 5 November 2021.This time it's an inside job aliens not required, what with right-wing sociopaths, white supremacists, and assorted bureaucrats with nasty agendas right here in the homeland.
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Reported to be one of Netflix’s biggest hits – the company doesn’t release audience figures – it turns its attention in its fourth and fifth season to Mexico’s interminable drugs wars, with Diego Luna playing Guadalajara cartel honcho Miguel Gallardo.
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Series one and two feature a mesmerising performance by Wagner Moura as Columbian cocaine kingpin Pablo Escobar, while season three focuses on the notorious Cali cartel. Narcos, in other words, is for people who consider Pacino’s Scarface a touch too understated.
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This drug trafficking caper spells out exactly what kind of series it is with an early scene in which two gangsters zip around a multi-level carpark on a motorbike firing a machine gun.
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Two final seasons will bring down the curtains, and feature Imelda Staunton as the Queen, Jonathan Pryce as Philip, Dominic West as Charles, Olivia Williams as Camilla Parker Bowles, Elizabeth Debicki as Diana and Jonny Lee Miller as John Major. Foy and the rest of the principal cast have now departed, with a crew of older actors – headed by Olivia Colman and Tobias Menzies – taking over as the middle-aged Windsors for season three and four and Emma Corin turning heads as a young Princess Diana. Most impressive of all, arguably, is Claire Foy, who plays the Queen as a shy woman thrust unwillingly into the spotlight. Matt Smith is charmingly roguish as Prince Philip and Vanessa Kirby has ascended the Hollywood ranks on the back of her turn as the flawed yet sympathetic Princess Margaret. Tracing the reign of Elizabeth II from her days as a wide-eyed young woman propelled to the throne after the surprise early death of her father, The Crown humanises the royals even as it paints their private lives as a bodice-ripping soap. A right royal blockbuster from dramatist Peter Morgan ( The Queen, Frost / Nixon).